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LA PUNTA DEL ICEBERG. 09-02-21 ESCUCHA AQUÍ TU PROGRAMA Descarga tus podcasts de la nueva temporada en nuestra web de GloboFm. Nueva etapa del Programa Legendario de la cadena. Producido, presentado y dirigido por María Jesús Herrero. La calidad, la sencillez y el sentido común. Más de 20 años contigo, la música de siempre, la música que te llega, un clásico de toda la vida y una ilusión dedicada a ti. El entretenimiento, la diversión, lo mejor de la música, la calidad, la esencia… Lo tiene todo para disfrutar de una hora de magia musical. Para cualquier sugerencia o comentario tenemos un correo a través del que puedes ponerte en contacto con nosotros globofmredes@gmail.com La punta del iceberg. Globo Fm 99.3, 92.2 y Globofm.es WHATSAPP: 643 913 024 @GloboFM993

Sólo música. Con Alberto Parejo.08-02-2021 ESCUCHA AQUÍ TU PROGRAMA Globo Fm 99.3, 92.2 de tu dial y en Globofm.es @GloboFM993 Sólo Música es un programa musical adaptado a los tiempos con estilo y calidad, un programa presentado por Alberto Parejo. Sólo Música cambia su horario, ahora de 23 a 24 hr y de lunes a jueves en Globo Fm 99.3 y 92.2 de tu dial. También puedes descargarte tus podcasts y escucharnos todas las veces que quieras en www.globofm.es Para cualquier sugerencia o comentario tenemos un correo a través del que puedes ponerte en contacto con nosotros globofmredes@gmail.com. Globo Fm 99.3, 92.2 de tu dial y en Globofm.es WHATSAPP: 643 913 024

DE RONDA. CON MIGUEL ANGEL.09-01-2021 ESCUCHA AQUÍ TU PROGRAMA WHATSAPP: 643 913 024 Globo Fm 99.3, 92.2 y Globofm.es @GloboFM993 Apúntate a De ronda, con Miguel Ángel, de 3 a 6 de la tarde, de lunes a viernes. La música de siempre y el entretenimiento asegurado. De ronda, un magazine con noticias, titulares, humor y mucho más. El entretenimiento asegurado, la chispa, efemérides, el tiempo y noticias contadas con humor, haciendo radio de una forma distinta, con la mejor calidad musical, siempre contigo. Sintoniza en tu dial 99.3 y 92.2, Globo Fm si quieres escucharnos en directo de 3 a 6 de la tarde. Y también puedes descargarte tus podcasts y escucharnos todas las veces que quieras en www.globofm.es Para cualquier sugerencia o comentario tenemos un correo a través del que puedes ponerte en contacto con nosotros globofmredes@gmail.com DE RONDA. CON MIGUEL ANGEL. Globo Fm 99.3, 92.2 y Globofm.es

Sólo música. Con Alberto Parejo. Jueves 1 octubre 2020 Globo Fm 99.3, 92.2 de tu dial y en Globofm.es @GloboFM993 WHATSSAP: 643 913 024 Sólo Música es un programa musical adaptado a los tiempos con estilo y calidad, un programa presentado por Alberto Parejo. Sólo Música cambia su horario, ahora de 23 a 24 hr y de lunes a jueves en Globo Fm 99.3 y 92.2 de tu dial. También puedes descargarte tus podcasts y escucharnos todas las veces que quieras en Globofm.es Para cualquier sugerencia o comentario tenemos un correo a través del que puedes ponerte en contacto con nosotros globofmredes@gmail.com. Globo Fm 99.3, 92.2 de tu dial y en Globofm.es

Sólo música. Con Alberto Parejo. Martes 29 sept 2020 Globo Fm 99.3, 92.2 de tu dial y en Globofm.es @GloboFM993 Sólo Música es un programa musical adaptado a los tiempos con estilo y calidad, un programa presentado por Alberto Parejo. Sólo Música cambia su horario, ahora de 23 a 24 hr y de lunes a jueves en Globo Fm 99.3 y 92.2 de tu dial. También puedes descargarte tus podcasts y escucharnos todas las veces que quieras en Globofm.es Para cualquier sugerencia o comentario tenemos un correo a través del que puedes ponerte en contacto con nosotros globofmredes@gmail.com. Globo Fm 99.3, 92.2 de tu dial y en Globofm.es

Sólo música. Con Alberto Parejo. Miércoles 29 abril 2020. Sólo Música es un programa musical adaptado a los tiempos con estilo y calidad, un programa presentado por Alberto Parejo. De cuatro a cinco de la tarde y de lunes a jueves en Globo Fm 99.3. Y también puedes descargarte tus podcasts y escucharnos todas las veces que quieras en Globo Fm 99.3  Para cualquier sugerencia o comentario tenemos un correo a través del que puedes ponerte en contacto con nosotros globofmredes@gmail.com.

Cerca de las estrellas. Con Jose Luis Parejo. Jueves 30 abril 2020. Cerca de las estrellas es un programa producido, presentado y realizado por Jose Luis Parejo. Uno de los programas legendarios de Globo Fm 99.3. Para cualquier sugerencia o comentario tenemos un correo a través del que puedes ponerte en contacto con nosotros globofmredes@gmail.com Sintoniza en tu dial la 99.3, Globo Fm. También puedes descargarte tus podcasts de la nueva temporada y escucharnos todas las veces que quieras en www.globofmradio.com Para cualquier sugerencia o comentario tenemos un correo a través del que puedes ponerte en contacto con nosotros globofmredes@gmail.com

As a bassist, bandleader, teacher, and music copyist, I’ve worked with hundreds of singers throughout the years. Though working musicians know hundreds of tunes, singers need to have good charts in order to have their music played the way they want. I define a «good chart» as a piece of written music that effectively tells the musicians what they should play.   Written music comes in seven basic forms: chord charts, sheet music, songbooks, lead sheets, fake books, master rhythm charts and fully notated parts. As a musician has a responsibility to play the chart before him correctly, the supplier of the chart has the responsibility of providing the right kind of chart. Knowing what type of chart to use for what kind of tune or gig is very important. This article explains what the different types of charts are, and under what circumstances to use them. I hope you find it useful. TYPES OF EDM MUSIC Charts can be simple or elaborate according to the style of music and type of gig. Cover tunes are traditionally learned from recordings; classical and choral music can be found in sheet music stores as well as in various music catalogs; numerous tunes will be found in music books of all kinds; and many public libraries carry recordings and written music for your use. The word «chart» refers to any piece of written music or any arrangement (music that has been adapted in a unique manner) of a tune. Decades ago it was strictly a «cool» slang term for a tune, but any piece of music could be called a chart these days, though a classical buff might not refer to a Mozart work as a «chart.» Knowing what type of chart to use for what kind of tune is very important. When you’re playing a gig and someone hands you a chart — it is what it is and you either read it well or not. But, if you buy charts, have them made for you or provide them yourself, you need to know which kinds to use for which situations. Years back, while doing singer showcases, singers brought in all kinds of charts: good ones, bad ones, incorrect ones, inappropriate ones, and it was a real pain. The singers who provided the right kinds of charts got their music played the way they wanted. The singers who had the wrong kinds of charts didn’t, and weren’t very happy about it. Unless a musician already knows the specific parts, he can only play according to what’s on the chart before him. Though a good musician can improvise a good part in any style, if a specific musical line needs to be played, it needs to be written out. As a musician has a responsibility to correctly play the chart before him, the supplier of the chart has the responsibility of providing an appropriate one. Without getting into too many music notation specifics, here are the different kinds of charts and when they are used: 1. HOUSE A chord chart contains the chords, meter (how the song is counted, e.g., in 4 or in 3 (like a waltz), and the form of the song (the exact order of the sections). This type of chart is primarily used when: 1. the specific musical parts are improvised or already known, but the form and chords need to be referred to, 2. to provide chords to improvise over, or 3. when a last-minute chart needs to be written, and there isn’t time for anything more elaborate. A chord chart does not contain the melody or any specific instrumental parts to be played. To play from simple chord charts a musician basically needs to have steady time, know the chords, and improvise his part in whatever style the tune is in. 2. TECH HOUSE Sheet music is a store-bought version of a song printed by a publisher, which contains the instrumental part, chords, lyrics, melody and form. An instrumental piece will, of course, have just the music. Sheet music is written for both piano and guitar. Guitar sheet music is in standard notation (often classical), as well as in TAB. A good piece of sheet music will always say whether it’s for piano or guitar. Most sheet music is not meant to be completely representative of the actual recording, and the actual arrangement that you’ve heard on a recording is seldom present. Many people have experienced the frustration of getting the sheet music to a song they like, playing it, and discovering that the chords are different from the recording, and sometimes the form is too. Unfortunately that’s the way it is a lot, and it could be for a number of different reasons. To get the exact arrangement and chords, you need to do a «takedown» of the song: learn it by ear. A takedown is when you listen to a piece of music and write it down. Takedowns can range from simple chord charts to elaborate orchestral parts or anything in between. In order to do good takedowns, you need to have good ears, understand and be fluid with music notation to the complexity of the type of music you’re working with, and preferably understand music (the more the better). Having «good ears» consists of recognizing and understanding the music, whether heard on the radio, played by another musician, or heard in your head. 3. DEEP HOUSE Songbooks are compilations of many tunes and often contain the same information that sheet music does, along with the chords and arrangement being different from the recording most of the time. Sheet music commonly has full introductions and endings, whereas songbook tunes are generally shortened to create space in the book for more tunes. Sheet music is generally written to be played on a keyboard, but songbooks come in different styles and for different instruments. They are compiled by artist, style, decade, and in various collections including movie themes, Broadway hits, etc. Songbooks are a good reference source when other,

Music is a form of art that involves organized and audible sounds and silence. It is normally expressed in terms of pitch (which includes melody and harmony), rhythm (which includes tempo and meter), and the quality of sound (which includes timbre, articulation, dynamics, and texture). Music may also involve complex generative forms in time through the construction of patterns and combinations of natural stimuli, principally sound. Music may be used for artistic or aesthetic, communicative, entertainment, or ceremonial purposes. The definition of what constitutes music varies according to culture and social context. Greek philosophers and medieval theorists defined music as tones ordered horizontally as melodies, and vertically as harmonies. If painting can be viewed as a visual art form, music can be viewed as an auditory art form. The broadest definition of music is organized sound. There are observable patterns to what is broadly labeled music, and while there are understandable cultural variations, the properties of music are the properties of sound as perceived and processed by humans and animals (birds and insects also make music). Music is formulated or organized sound. Although it cannot contain emotions, it is sometimes designed to manipulate and transform the emotion of the listener/listeners. Music created for movies is a good example of its use to manipulate emotions. Music theory, within this realm, is studied with the pre-supposition that music is orderly and often pleasant to hear. However, in the 20th century, composers challenged the notion that music had to be pleasant by creating music that explored harsher, darker timbres. The existence of some modern-day genres such as grindcore and noise music, which enjoy an extensive underground following, indicate that even the crudest noises can be considered music if the listener is so inclined. 20th century composer John Cage disagreed with the notion that music must consist of pleasant, discernible melodies, and he challenged the notion that it can communicate anything. Instead, he argued that any sounds we can hear can be music, saying, for example, «There is no noise, only sound,»[3]. According to musicologist Jean-Jacques Nattiez (1990 p.47-8,55): «The border between music and noise is always culturally defined–which implies that, even within a single society, this border does not always pass through the same place; in short, there is rarely a consensus…. By all accounts there is no single and intercultural universal concept defining what music might be.»

We had some truly stellar photos come out of our photographers this week, as they attended shows from Vance Joy, Ball Park Music, Matt Corby and Groovin The Moo sideshows, with the common theme being some amazing light shows. As Forbes notes, in the missive, Sixx and bandmates James Michael and DJ Ashba implore YouTube to work harder to protect the rights of artists whose work frequently appears on the platform without proper payment, clearance or copyright, noting their own positions of privilege as successful musicians — and wanting to use that advantage for the benefit of smaller acts, in keeping with their history of artist advocacy. «We recently completed our fourth album called Prayers For The Damned, in our singer/producer James Michael’s recording studio,» the band began. «We are a lucky band, grateful to have all had success prior to the creation of Sixx:A.M. Music expresses that which cannot be put into words and that which cannot remain silent. «Nikki came from Mötley Crüe, DJ played guitar in Guns N’ Roses for the past six years and James has had a successful career as a writer and producer. Releasing an album and being part of a tour going on sale allows us to use the promoters’ marketing money to create a larger platform to get our message out, and having a record company that generates publicity gives us an opportunity to speak up about issues we think are important — specifically the crisis with the music business and YouTube.» The band go on to recall the occasion on which they backed Taylor Swift «when she spoke up about the absence of royalty payments to artists by Apple Music», as well as explaining that the band has «long been an advocate for new artists», as evidenced by Sixx’s predilection for featuring emerging acts on his radio show, before taking aim at Google (and its founders, Larry Page and Sergey Brin) for its payment strategies through the framework of comparing its annual revenue to that of the global music industry.


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